Pierre-Auguste Renoir
French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.
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Pierre-Auguste Renoir Details of Mother and children oil painting


Details of Mother and children
mk76 Painted probably c.1876-78 Oil on canvas 67x42 5/8in
Painting ID::  31851 		Pierre-Auguste Renoir
Details of Mother and children
mk76 Painted probably c.1876-78 Oil on canvas 67x42 5/8in
   
   
     
Pierre-Auguste Renoir Second Plate oil painting


Second Plate
mk82 1898
Painting ID::  33211 		Pierre-Auguste Renoir
Second Plate
mk82 1898
   
   
     
Pierre-Auguste Renoir The Swing oil painting


The Swing
mk87 1876 Oil on canvas 92x73cm Paris,Musee d'Orsay
Painting ID::  33938 		Pierre-Auguste Renoir
The Swing
mk87 1876 Oil on canvas 92x73cm Paris,Musee d'Orsay
   
   
     
Pierre-Auguste Renoir Two Girls oil painting


Two Girls
mk87 c.1881 Oil on canvas 80x65cm Moscow,Pushkin Museum
Painting ID::  33943 		Pierre-Auguste Renoir
Two Girls
mk87 c.1881 Oil on canvas 80x65cm Moscow,Pushkin Museum
   
   
     
Pierre-Auguste Renoir The Painter Sisley and his Wife oil painting


The Painter Sisley and his Wife
mk87 1868 Oil on canvas 105x70cm Cologne,Wallraf-Richartz-Museum
Painting ID::  33967 		Pierre-Auguste Renoir
The Painter Sisley and his Wife
mk87 1868 Oil on canvas 105x70cm Cologne,Wallraf-Richartz-Museum
   
   
     
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     Pierre-Auguste Renoir
     French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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